wildestranger: (Default)
Happy revolution to all who celebrate, and those of you who do not - why not?

Anyway, I have updated my Les Misérables AU that is really about how I am deeply angry about Brexit, and also about Tories. This current chapter is 4th our of 5 - the final one is mostly done already, and I expect to finish it within a few weeks. Then on to the sequel with Eponine and Combeferre.

https://archiveofourown.org/works/2825402/chapters/98724297
wildestranger: (book and wine)
I have made a fic.

Fandom: Faraway Wanderers/Word of Honor
Pairing: Zhou Zishu/Wen Kexing
Rating: PG-13
Summary: Then Zhou Zishu, the bastard, stops pulling away. He can tell that he does it on purpose, too. Like a dare, what will you do now? Stay there, arms touching, sprawled next to each other on a roof watching the moon? Feeling the warmth of another body, another person, a person whom he likes? Like a foolish child who likes another child. This is what he has been reduced to. Embarrassing.

https://archiveofourown.org/works/30138300
wildestranger: (Default)
Dear Yuletide writer,

Deep apologies for not finishing my letter earlier. I hope this has not stopped you from starting on your story. Please know that my philosophy for Yuletide is to consider recipient's wishes as a loose premise which can be used or ignored, and to prioritise your own preferences in writing. I promise I will be happy with whatever you do.

That said, if you would like to know my general views:

Things I like: Banter, historical/cultural accuracy, character dynamics, world-building, innovative narrative structures/storytelling (this last is very much not a requirement, I do also like conventional storytelling - I only mention this in case it's something you also enjoy, in which case, go mad!)

Things I dislike: Character death, weddings/marriage, historical/cultural inaccuracy.

Looking forward to whatever you come up with!
wildestranger: (Default)
I hope you are well. I am well. And now for lack of time.
wildestranger: (Default)
Here is what I did for Yuletide: https://archiveofourown.org/works/21789964

The Untamed. Wei Wuxian/Lan WangJi. Crying and desperate hugging, because that's basicially what I needed more of in the show.
wildestranger: (Default)
Dear Yuletide writer,

Thank you for writing for me. My general policy for Yuletide is that you should do whatever pleases you - that my prompts are very much a platform for your work, rather than something you need to adhere to - and that any additional details are very much optional. That said, should you be wanting additional suggestions, please see below.

Dislikes: marriage, death, historical and cultural inaccuracy.
Likes: banter, people being smart and competent, people thinking about work (no, really, this to me is fascinating).

Specific fandoms under the cut: Read more... )
wildestranger: (wine)
Friends, I find myself with a great longing for Remus/Sirius fic.

This, I find, is a longing not easily satisfied - the heydays of the fandom were on livejournal, which means that a) many of the great fics are no longer available, and b) when I try to search AO3 by kudos or bookmarks, it gives me modern things. These are not, of course, necessarily bad, but many of them are written by very young people (which, good for them! But I am too much an Old to read things by very young people.), and also, actually, quite bad. So I need your help.

Please tell me about your favourite Remus/Sirius fics. The old ones that you loved 15 years ago. The new ones you discovered this year, or last year, or five years ago, even when the fandom was mostly quiet. The ones you remember and treasure.
wildestranger: (Default)
Work to build the world; work to feed your soul.

Some have jobs that allow both. They are lucky and few, and you need the luck as well as/much more than talent to get such a job. Where you are born, and who wants to respect you.

Some - many more, but still not many - have jobs that involve both. Ratios vary between satisfaction and drudgery. Luck is still involved. Where you are born, how good you are at attracting respect, how well you can sell your idea of a good job to those who decide.

Some have jobs that only build the world. Or worse; only build the profits or vanities of others, but do not profit the world. These are the hardest. Luck is still involved. Where you are born, who decides whether you deserve respect. Few souls thrive here; you are expected to shrivel.

If you can leave such a job, leave. If you can't - and most of us can't - then find a way around it. Don't give up, and shrivel. The world might be organised in such a way that you cannot thrive in your allocated slot, but that doesn't mean you must accept your slot, or accept the system of allocation. You can find other ways to feed your soul. You can find ways to fight the system. You can find to rest, even when the system is screaming at you to be more productive and your body is screaming when it should be sleeping. You can find pockets of time where your brain can flower; from these you can raise an undergrowth of strength that grows into tall trees. A rainforest of creativity. Rivers of inspired thought. A beacon sparking fire, sending light to others.

Feed your soul. Build the world.
wildestranger: (Default)
So I went to see Avengers: Endgame last night and I had some thoughts. Read more... )
wildestranger: (book and wine)
I seem to be on a roll - that is, I have just updated (after two years!) my modern British au of Les Miserables. https://archiveofourown.org/works/2825402?view_full_work=true

It mostly involves Grantaire drinking a lot of wine, thinking about wine, and talking about wine. Also about Enjolras.
wildestranger: (Default)
Hello friends!

My adventures in watching Chinese TV have reached the stage where fic seems to be happening. Here's a thing I wrote. It's basically filthy porn with feelings.

https://archiveofourown.org/works/16389209

It's based on a terrimazing TV show called Guardian, which you can watch on youtube: https://www.youtube.com/watch?v=JdRj_d7_skE&list=PLjiwrLc2ONh-T0M0vnkQY3PMS_-wNPcsY&index=2&t=7s

The show itself is based on a gay romance webnovel, which you can read here: https://www.wattpad.com/story/153357561-guardian-english-version-bl-novel

For more information about the show: https://disgracetoscholars.dreamwidth.org/tag/guardian

Yuletide!

Oct. 13th, 2018 02:43 pm
wildestranger: (Default)
Dear yuletide writer,

I am very much looking forward to reading your story - this year for the first time all my fandoms are from Chinese television, and I hope you are enjoying them as much as I am (have you seen the Rise of Phoenixes yet? It's amazing!)

As you might guess from the above, I am very interested in Chinese cultures and one of the things I enjoy in these TV shows is learning about new (to me) cultural practices - how people address each other as brother/sister/uncle, for example, or the frequent references to ancient poetry, customs of body language etc. If this is something that also interests you, then I would love a fic where such things are explored and discussed.

Other things I like: character dynamics and tension, and there is a lot of that in all of these fandoms. I would be happy with a story from any stage in their relationship - missing scenes, or additional scenes (if you felt compelled to imagine what would happen if characters x and y fell into bed halfway through the series, I would be ok with that!), or character studies which examined the different relationships in the show.

Things I actively dislike: character death (I know, but we can ...not refer to that part of canon, right, or get around it?), marriage, infidelity, watersports. Any other kinks are fine. Especially manhandling. :)
wildestranger: (Default)
Hello friends!

I have done a yuletide. Each calls into themselves the divine and the infernal

The fandom is Nirvana in Fire, a Chinese TV show about political scheming and interpersonal pining in 7th-century China. You can (and you should) watch here: https://www.viki.com/tv/22943c-nirvana-in-fire

The premise is this: 11 years ago, the Crown Prince Qi was falsely accused of treason against the Emperor and executed. A part of this false accusation included the supposed betrayal of the Chiyan army, led by General Lin and his son the Young Marshal Lin Shu (very special close friend of the Crown Prince's younger brother, Jingyan), who were all massacred by the supposedly loyal troops of the Emperor's brother-in-law.

Except Lin Shu survived, and spent the next 11 years in disguise - becoming the leader of the Pugilist World (https://en.wikipedia.org/wiki/Wuxia), recovering from his injuries at the Chiyan massacre by changing the shape of his body entirely, and developing a bickering friendship with the doctor Lin Chen (who is a troll and a gift to the world). At the start of the show, Lin Shu arrives in the Imperial City Jinling with the aim of becoming a strategist to Prince Jingyan, so that he may become the next Crown Prince and eventually the next Emperor, and bring justice to the world generally but to the victims of the Chiayn case in particular.

But here's the rub - Lin Shu does not tell Jingyan that he is his special best friend whom he thinks dead, but rather he presents himself as a scheming political operator named Mei Chang Su, who by nature and practice is opposed to the virtues of honesty and righteousness which Prince Jingyan values.

And then you get 50 episodes of awkward pining and political drama.

I should also say that there are amazing female characters here - the Princess-General Mu Nihuang, who was Lin Shu's betrothed 11 years ago, and Xia Dong, a super-competent investigative officer for the Emperor, who is both the best friend of the Princess and extremely bitter about the supposed betrayal of the Chiyan army, who killed her husband (or did they? Or did he magically turn into a yeti-vampire?).

Anyway; it is glorious - the character dynamics are very well constructed and the end result is vastly engaging, the scenery is gorgeous and everyone has amazing hair and costumes, and it is very interesting to see, if you are mainly used to anglophone TV, how TV drama works in a new cultural context - how the mixture of historical drama and contemporary resonances is achieved, for example. I also ended up learning random bits of Mandarin (how to say "Your Majesty" and "Your Highness", for example, or the different gradations of "yes" when speaking to a superior, an equal, or a subordinate), so if you're interesting in learning a Chinese language, this is very inspirational.
wildestranger: (Default)
...it's been two weeks since The Last Jedi came out, and there hasn't been an efflorescence of Poe/Leia fic?
wildestranger: (Default)
Dear Yuletide writer,

My apologies for the delay in completing this - and please know that if what I'm about to say doesn't correspond to what you'd like to write, I am honestly happy to receive whatever works for you!

Things I like:

In all three series, what interests me primarily is the dynamics between people - friends, family members, potential lovers, enemies (one of my favourite things in The Disguiser was the relationship between Ming Lou and Wang Man Chun) - which was narrated and shown expectionally well. There is such intensity, and such slow-burn development in showing the depths of that intensity, which I absolutely love. I also enjoyed learning about Chinese culture and language through these shows, and taking note of how social customs and social rhetoric differed from those in US and European television.

In terms of general fic things, I like reading about banter, world-building, people thinking about their profession/work/studies, slow-burn romance, pining, smart people being smart about things and people.

Things I don't like:

Historical, cultural, and linguistic inaccuracy, platitudes in narrative or dialogue, marriage, kid-fic.

But as I said, please write whatever works for you and I promise I will be happy with it!
wildestranger: (Default)
Estonia, Jaan Kaplinski, All has been written about
Kõigest on kirjutatud, kõigest on lauldud.
Ja see, mis veel kirjutatakse-lauldakse,
loeb ikka vähem, kostab ikka nõrgemalt
läbi meretuule õunapuudes ja kuldnoka-
poegade näljase sädina pesakastides
luuletajate peade kohal. Mida kauem
elad, räägid ja kirjutad, seda selgemaks saab,
et elad saarel, mis on vana ja kulunud
ja selle saare all on teine saar,
lähemal tulele, lähemal ehk tõelegi,
kuid kaugemal sõnadest, mida meie siin
ütleme üksteisele ja Läänemere tuulde.

All has been written about, all has been sung about.
And what will still be written and sung about
means less and less, sounds ever weaker
through sea winds in apple trees and the hungry
chirping of starling babies in the nest boxes
above the heads of poets. The more you
live, speak and write, the clearer it becomes
that you live on an island that is old and outworn
and that beneath that island there is another,
closer to fire, maybe also closer to truth,
but more distant from words that we here
tell each other and the wind of the Baltic Sea.

More information: http://estonianworld.com/culture/a-mission-to-translate-marie-under-estonias-most-influential-poet-into-english/
http://www.wordswithoutborders.org/article/writing-from-the-edge-estonian-literature
wildestranger: (franz ferdinand)
Sweden, Eva Ström, 'Dödssynder åtrår ni mig ännu?'


Dödssynder åtrår ni mig ännu?
Vrede vill du blomma i mig?
Vill du driva blodet till mina kinder
och få mitt hjärta att accelerera.
Avundets korta sting,
vill du träffa mig,
låta mig fåfängt få rasa
efter ett annat liv.
Jag vill känna högmodet och gå
med högmodets vadderade ncacke,
jag vill känna den beska älskogens söta sting i min kropp,
och vila en stund på smickrarnas ockersålda mattor.
Jag vill känna hur slugheten får min hjärna att arbeta
och hur omåttligheten griper tag i mig i ett vällustigt begär.
Dödssynder åtrår ni mig?
Kan ni ännu verka i mig?

Deadly Sins, Do You Still Want Me?

Deadly sins, do you still want me?
Wrath, do you want to bloom in me?
Want to drive blood into my cheek
and make my heart accelerate.
Envy, short sting
do you want to smack me,
churn in me—vain rampages
after my next lonely life.
I want to feel pride and run
with pride’s stiff neck,
I want to feel the bitter sweet sting of sex in my body
and rest in the moment on flattery’s shaggy carpet.
I want to feel how cunning works in my brain
and how excess grips me and touches me with desire.
Deadly sins, do you still want me?
Can you still work in me?


More information: https://qarrtsiluni.com/2011/02/15/three-swedish-poems-by-eva-strom-and-johanna-ekstrom/
wildestranger: (Default)
Finland, Niilas Holmberg

SEAINNIT JA MOSKKUS
Vuosttas sámegirjjis lohká
sápmelačča jurdda ii golgga
go leat seainnit ja moskkus oaivval
muhto vár’ alde jos livččii
čoahkkinbáiki

jurddarávdnján
buđđosan gavjjain
mo dat munges
fihttešin čorget

maŋimus sámegirjjis lohká
vári jurdda ii golgga
go leat seainnit ja moskkus oaivval
WALLS AND OVERCAST
The first Sámi book says
thought is slow for a Sámi
when surrounded by walls and overcast
but imagine having a meeting
on a high hill

my understanding
has gathered dust
how could I know
how to clean it

the last Sámi book says
thought is slow for a high hill
when surrounded by walls and overcast
wildestranger: (Default)
Austria, Erich Wolfgang Skwara, 'Springboard and coffin'

SPRUNGBRETT UND SARG

Du wachst auf, abrupt, außer Atem.
Hast geträumt von vielem das war und sein wird.
Erwartungen. Plänen. Das war dein Leben bisher
das wird morgen sein in einem Monat in einem Jahr.
Meist kommt es so wie wir glauben.
Nur selten stürzt alles zusammen nur selten bricht
das Unglück auf dich herein oder das Wunder.

Und die Summe des Ganzen die Zwischensumme
solange du lebst träumst erwachst ist das Leben.
Ist dein Leben mehr oder weniger wert
weil du dies und jenes gehabt getan unterlassen hast
es noch haben tun unterschlagen wirst
ist dein Leben nur Wachsein oder auch Schlaf
nur das Geleistete Erreichte Bestandene
oder im gleichen Maß das Versäumte Verfehlte
deine Konkurse deine Feigheit vor dem Augenblick?

Dieser Sprung aus dem Traum ins Grellwache
wund deine Brust deine Augen verklebt nur gut
daß du nichts sagen mußt in deinem Erwachen
keiner erwartet von dir eine Bergpredigt.
Du hättest keine Stimme in dir und keinen Glauben
erinnerst dich in dieser Minute – sie ist alles – an nichts.
Deine Menschen falls es die gab oder nicht gab sind dir fern
du hast sie nicht vergessen das nicht du siehst nur keinen
von deinen Menschen. Du zwingst deine Augen sich zu öffnen
der Himmel ist grau und gleich begehst du den alten Fehler
du beziehst seine Drohung seine Trauer auf dich. Du meinst
dir allein sei die Sonne entzogen dir allein stoße der Tag zu
nicht sanft selten Sanftes. Nein dein wildes Erwachen
eine Kollision ein Unfall – womit mit wem?
Sink zurück in dein Bett aber auch das kannst du nicht
es ist nicht dein Sarg dein Bett ist dein Sprungbrett
hinein in alles was weh tut was Lust bringt in dieser Folge.
Dein Bett nicht dein Sarg reib dir den Sand aus den Augen.
Werde wach gerade weil es dir schwer fällt.
(London)

SPRINGBOARD AND COFFIN

You wake up, abruptly, breathlessly.
You dreamed of much that was and will be.
Expectations. Plans. That was your life so far
that will be tomorrow in a month in a year.
It mostly turns out the way we believe.
Only rarely does it all break down only rarely does
misfortune befall you or a miracle.

And the total of it all, the subtotal,
as long as you live, dream, wake up, is a life.
Is your life worth more or worth less
because you had, did, didn’t do this and that,
because you still have, still do, still forgo it?
Is your life only being awake or also being asleep?
Only what’s been accomplished, achieved, surmounted
or in equal measure what’s been missed, failed at,
your breakdowns, your cowardice in the face of the moment?

This leap out of the dream into dazzled waking,
your chest is sore, your eyelids glued shut, how lucky
that you must not speak in this your awakening,
no one expects from you a sermon on the mount.
There would be no voice within you.
You remember in this very minute – which is everything – strictly nothing.
Your fellow humans, whether they ever did exist or not, are far from you.
You haven’t forgotten them, no way, they are just not around,
your fellow humans. You force your eyes to open up:
the sky is gray and instantly you fall for the old mistake
to refer its threat, its mourning, to yourself. You think
the sun withdrew from you alone, the day befalls you alone,
not gently, gentleness is rare. No, your wild awakening
a collision, an accident – with what, with whom?
Sink back in your bed, but you can’t even do that
it is not your coffin your bed is your springboard
into all that brings pain, that brings pleasure, in that order.
Your bed, not your coffin, rub the sand from your eyes,
Wake up precisely because it’s hard for you.

More information: https://austrianresearchuk.wordpress.com/2012/06/19/a-poem-by-erich-wolfgang-skwara-in-german-and-english-11/

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